My installations in nature, as in the Namib Desert, deal with infinity, contrast and limited color planes. These color planes often run in a line that appears endlessly.
The documentary photographs were taken by myself. It is my intention that the dimensions of both the objects and the environment, remain unclear. The viewer remains alone with an open-ended question. As in my paintings and drawings, the only an excerpt is on show, a fragment of an unknown whole. Timeless and endless constantly recur with similar themes of the various techniques and materials.